The Association of Moving Image Archivists

Our diverse range of AMIA Committees and Task Forces collaborate with colleagues from around the world. We create forums for exchange, and develop programs and projects that move us all forward in a changing field.

AMIA was the first professional organization to offer scholarships specifically for students pursuing careers in moving image archives. Applications for scholarships and the IPI Internship program opened in January.

The AMIA Supplier Directory is an international resource guide for anyone working with audiovisual media. Find a supplier, or list your own services or products. We update the directory on a quarterly basis.

By making this technology open, the company hopes that developers will be able to build similar experiences for their users in other domains where users search through vast data troves...

Despite hundreds of hours of newsreel footage and its appearance in innumerable documentaries and big budget Hollywood films, however, no one has ever managed to capture what it was like to actually fly a mission in a B-17—dropping bombs on German cities while being attacked by Luftwaffe fighters and anti-aircraft fire.

Seventy-five years ago, Hollywood director George Stevens stood on the deck of the HMS Belfast to film the start of the D-Day invasion.

The resulting black-and-white films — following Allied troops through Normandy, the liberation of Paris, Battle of the Bulge, the horror of the Dachau concentration camp — form the basis of Americans’ historical memory of World War II, and were even used as evidence in Nazi war crimes trials.

But the director was also shooting 16-millimeter color film for himself of the same events, creating a kind of personal video journal of his experiences.