The mission of the Al Larvick Conservation Fund is to preserve historical and cultural heritage through conservation, education and the public accessibility of American analog home movies, amateur cinema, and community recording collections.
The Fund distributes small access grants to individuals and organizations and works with grant recipients to share and document personal and regional histories through their film and videotape collections.
Working remotely, the Pathways intern will have opportunities to contribute to the following projects in order of priority:
The intern will have the opportunity to join at least one board meeting and speak individually with board members about the Al Larvick Conservation Fund’s work, as well as their own professions.
The project’s intention is to provide education and experience to the Fellow, as well as to assist in the ALCF’s annual goals. The internship will provide instruction in Airtable database construction, moving image description, metadata standards, collections management, and moving image digitization processes and standards. The intern will also observe and participate in grant administration, organizational decision-making and policies, and standards for the audiovisual records and media. Additionally, working with appointed board members, the intern will gain an understanding of curating and writing exhibition programming proposals for existing and new screening partners.
Internship Schedule and Salary
Intern will work remotely. The internship is a total of 300 hours total over approximately 10 weeks, beginning in June 2025. The stipend is based on a rate of $23 per hour.
Intern supervisor: Kirsten Larvick
Kirsten Larvick is an audiovisual preservationist and archivist dedicated to safeguarding the legacies of independent filmmakers. As Managing Director at IndieCollect, she advances the organization’s mission to archive, restore and make available independent films. Since 2009, she has co-chaired the Women’s Film Preservation Fund (WFPF), where she has played a key role in preserving films made by women, including significant Second Wave Feminist work such as Growing Up Female (1970) by Julia Reichert and Women’s Happy Time Commune (1972) by Sheila Paige. In 2014, Kirsten established the Al Larvick Fund to conserve and make home movies accessible, resulting in the preservation of over 30 collections, many of which have been showcased at venues across the United States and internationally.